Natalia Skorokhod* Abstract Although the new wave of Belarusian dramaturgy has served as an appealing case study to researchers for more than fifteen years, nobody can clearly explain how such a phenomenon emerged.
On June 29, Moscow’s Culture Department dismissed the heads of three theaters. Among them were the leaders of Gogol Center, Alexey Agranovich and director Alexey Kabeshev. Both are associates of the venue’s founder, well-known director…