7. No incluimos en este estudio 10s compuestos, en este caso tumbacuartillos. 8. En el caso de septillo, ya que este término no ofrece un correlato en latin, pensamos que se trata de una formación romance que presenta una raiz culta.
↑ Antaramián, Carlos (2016). «Esbozo histórico del genocidio armenio». Revista Mexicana de Ciencias Políticas y Sociales (Universidad Nacional Autónoma de México) LXI (228): 337-364 . Consultado el 22 de marzo de 2019.
Ferrari en el marco de un grupo de investigación sobre los cristianos en al-Andalus (Die Mozaraber: Kulturelle Identität zwischen Orient und Okzident) afiliado a la Universidad de Erlangen.
With a population of 592,346 in 2024, it is the 2nd-largest city in Andalusia and the 6th-largest in the country. [2 ] It lies in Southern Iberia on the Costa del Sol ("Coast of the Sun") of the Mediterranean, primarily in the left bank of…
Its laws were laid down by Al-Khalīl ibn Aḥmad al-Farāhīdī (d. 786), an early Arab lexicographer and philologist. In his book Al-ʿArḍ (Arabic: العرض), which is no longer extant, he described 15 types of meter.
Medieval Western astrology and mythology were not direct extensions of antiquity. Rather, with their roots in Eastern sources, they were newly created concepts based both on the Western literary tradition and Eastern iconography.
What evidence supports the evolution of musical instruments between the 13th and 15th centuries?A total of 148 instruments depicted across six manuscripts shows developmental changes, such as the lute and hurdy-gurdy, emphasizing regional variants in southern Italy and the Low Countries.How does the iconography of Venus and Mercury reflect music's societal role?Fendulus's illustrations reveal Venus and Mercury as central figures in astrology related to music, indicating their cultural significance in performance and artistic creativity until the end of the Renaissance.What misinterpretations occurred in the translation of Abu Ma'šar's text regarding music?Translations often mistook instruments, such as interpreting the symbolic 'sanj' as percussion rather than strings, severely affecting their astrological contextual significance.
In the 2014 Moroccan census, the city recorded a population of 380,787 inhabitants. [3 ] It is part of the administrative division Tanger-Tetouan-Al Hoceima.