Rhythm 0 – Wikipedie

Rhythm 0 (česky Rytmus 0) byla šestihodinová performance srbské umělkyně Mariny Abramović ve Studiu Morra v Neapoli roku 1974.

Rhythm 0 - Wikipedia

Rhythm 0 was a six-hour-long endurance art performance by the Serbian performance artist Marina Abramović performed in the Galleria Studio Mora in Naples in 1974. [1 ] This was the final performance of Abramović's Rhythm Series, following…

"Rhythm 0" - Analysis of Marina Abramović's Performance Art

"Rhythm 0": Marina Abramović’s 1974 Art Performance The Grandmother of Performance Art An Analysis of the Controversial Performance
Who Is Marina Abramović?Marina Abramović was born in 1946 in Belgrade, Yugoslavia. Abramović, an innovator of performance art as a sensory art form, has used her body as the topic and form of media in performance art to test her physiological, psychological, and emotional boundaries. Abramović is most famous for her evocative and emotionally challenging performances that put her body and life at risk in the pursuit of her own self-enlightenment and transformation. Her work has intrigued, attracted, and occasionally repulsed live audiences due to her exploration of human suffering, repeated behavior, and morally questionable public engagements.
Why Was Marina Abramović’s 1974 Art Performance Important?Marina Abramović's 1974 performance Rhythm 0 was incredibly important since it explored the complex themes of the human conscience, artistic permission in performance art, and the exploitation of femme bodies. Her performance piece stirred controversy since it resulted in Abramović experiencing multiple violations to her body. Rhythm 0 involved a series of instructions given to strangers, to use various objects that Abramović provided, directly on her in whatever way they saw fit. While she did not expect such a traumatizing outcome, Abramović's performance highlighted many deep societal issues that are still relevant in today's era.
Were the Spectators in Marina Abramović’s Rhythm 0 Performance Legally Prosecuted?According to the record of the performance and many accounts, the participants in the performance were not prosecuted or held liable in any way for the harm done to Abramović's body. Her performance began with her direct statement claiming that she was to take full responsibility for any actions done to her and since she was not killed or maimed, she would not be able to hold anyone criminally liable. Abramović also did not verbally indicate that she wished the participants to stop inflicting harm and cease her discomfort, which means that her permission enabled her abuse. The spectators who witnessed the performance were not criminally prosecuted.

Rhythm 0: A Scandalous Performance by Marina Abramović…

When Marina Abramović made her controversial performance Rhythm 0, she opened up a discussion about the responsibility of the audience.

Nejstrašidelnější pokus v historii: Rhythm 0 ukázal skutečnou lidskou tvář

15. 11. 2018Srbská umělkyně Marina Abramovic se v 70. letech minulého století postarala o několik uměleckých akcí, které hýbaly světem. Tou zřejmě nejznámější je pokus nazvaný Rhythm 0, který ukázal, čeho všeho jsou někteří lidé schopni.

Děsivý experiment Rhythm 0: Marinu Abramovič při něm musela čelit mučení

Před 12 měsíciBrutální umění nebo nelidský pokus? Marina Abramovič se v děsivém experimentu Rhythm 0 podívala lidské povaze přímo do očí.

Experiment Rhythm 0 – DoDiRi

Před 8 měsíciVelkou roli zde nejspíš hrála i tzv. davová psychóza. Podle jejích slov díky této zkušenosti přišla na to, že publikum je schopné člověka zabít.

Rhythm 0

Rhythm 0 (česky Rytmus 0) byla šestihodinová performance srbské umělkyně Mariny Abramović ve Studiu Morra v Neapoli roku 1974. Během performance vystavila Abramović sebe sama návštěvníkům galerie, kteří měli k dispozici 72 předmětů, které mohli vůči umělkyni jakkoliv použít. Dané předměty byly například růže, peříčko, parfém, med, chléb, hroznové i alkoholické víno, ale i nůžky, skalpel, břitvy či zbraň s jedním nábojem. Mezi umělkyní a publikem nebylo žádné omezení – Abramović se sebou… Wikipedie

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