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Lou Castel
Lou Castel
csfd.cz
Lou Castel
Lou Castel
cs.wikipedia.org
Lou Castel
Lou Castel
kinobox.cz
Lou Castel
Lou Castel
imdb.com
Lou Castel - Přejezd Cassandra - Fotosky
Lou Castel - Přejezd Cassandra - Fotosky
csfd.cz
Lou Castel
Lou Castel
csfd.cz
Lou Castel - Přejezd Cassandra - Fotosky
Lou Castel - Přejezd Cassandra - Fotosky
csfd.cz
Lou Castel - Přejezd Cassandra - Fotosky
Lou Castel - Přejezd Cassandra - Fotosky
csfd.cz
Lou Castel, Stefano Patrizi - Přejezd Cassandra - Fotosky
Lou Castel, Stefano Patrizi - Přejezd Cassandra - Fotosky
csfd.cz
Zrození lásky - Z filmu - Lou Castel
Zrození lásky - Z filmu - Lou Castel
csfd.cz
Orgasmo (1969) | Diskuze | ČSFD.cz
Orgasmo (1969) | Diskuze | ČSFD.cz
csfd.cz
KVIFF | Fotogalerie
KVIFF | Fotogalerie
kviff.com
Lou Castel, Carroll Baker - Orgasmo - Fotosky
Lou Castel, Carroll Baker - Orgasmo - Fotosky
csfd.cz
Colonel Douglas Mortimer and his Buntline Special: Lee Van Cleef makes his Italian western debut in For a Few Dollars More (1965). own, you’ve seen ’em all’, took on much more significance. Lee Van Cleef’s Colonel Douglas Mortimer isn’t a ‘whiter-than-white’ hero. In n interview, Van Cleef described the colonel as, ‘A non-angelic sort of character. vho’s still on the side of the law’, while Leone’s concept of the character was John carradine’s shady southern gambler Hatfield in John Ford’s Stagecoach (1939) lortimer is more ‘modern’ than Eastwood’s stranger: he keeps a little black book f bounties, opens the safe with special acid (rather than dynamite) and has ar rsenal of weapons wrapped in his saddlecloth. His sidearm is a Buntline Specia vith a 12-inch barrel and a detachable shoulder stock, which slows his draw — sc nuch so that we never see the colonel use it in a quick-draw duel. He leisurely hoots outlaw Callaway at distance, kills the Wild One with a Derringer from up is sleeve and borrows Manco’s pistol and gunbelt to face Indio. Van Cleef always
Colonel Douglas Mortimer and his Buntline Special: Lee Van Cleef makes his Italian western debut in For a Few Dollars More (1965). own, you’ve seen ’em all’, took on much more significance. Lee Van Cleef’s Colonel Douglas Mortimer isn’t a ‘whiter-than-white’ hero. In n interview, Van Cleef described the colonel as, ‘A non-angelic sort of character. vho’s still on the side of the law’, while Leone’s concept of the character was John carradine’s shady southern gambler Hatfield in John Ford’s Stagecoach (1939) lortimer is more ‘modern’ than Eastwood’s stranger: he keeps a little black book f bounties, opens the safe with special acid (rather than dynamite) and has ar rsenal of weapons wrapped in his saddlecloth. His sidearm is a Buntline Specia vith a 12-inch barrel and a detachable shoulder stock, which slows his draw — sc nuch so that we never see the colonel use it in a quick-draw duel. He leisurely hoots outlaw Callaway at distance, kills the Wild One with a Derringer from up is sleeve and borrows Manco’s pistol and gunbelt to face Indio. Van Cleef always
independent.academia.edu
Zrození lásky - Z filmu - Lou Castel, Johanna ter Steege
Zrození lásky - Z filmu - Lou Castel, Johanna ter Steege
csfd.cz
erim kutsal - Independent Researcher
erim kutsal - Independent Researcher
independent.academia.edu
Pěsti v kapsách - Z filmu - Lou Castel
Pěsti v kapsách - Z filmu - Lou Castel
csfd.cz
Angel Face: Giuliano Gemma as gunfighter Ringo in Duccio Tessari’s 4 Pistol Jor Ringo (1965).
Angel Face: Giuliano Gemma as gunfighter Ringo in Duccio Tessari’s 4 Pistol Jor Ringo (1965).
independent.academia.edu
KVIFF | Photogallery
KVIFF | Photogallery
kviff.com
‘A dollar a head’: Aldo Sambrell as scalphunter Duncan gruesomely meets his end in Navajo Joe (1966). Esperanza, rather than see Estella narmed. Pierre Cressoy’s portrayal of Doctor Chester Lynne is an opportunity to replay his roles from One Silver Dollar (1965) and Adios Gringo (1965). Lynne is a pillar of the community, who turns out to be a cheap crook. Corbucci carefully conceals the doctor’s identity for the first part of the film, and when we first meet him, on the station platform at Esperanza, he is staring at a ‘Wanted’ poster for Duncan, his partner in crime. No one in town knows of the doctor’s criminal past, his time spent in jail, his charade of a marriage to banker Blackwood’s daughter and his plan to return to Europe after the robbery.
‘A dollar a head’: Aldo Sambrell as scalphunter Duncan gruesomely meets his end in Navajo Joe (1966). Esperanza, rather than see Estella narmed. Pierre Cressoy’s portrayal of Doctor Chester Lynne is an opportunity to replay his roles from One Silver Dollar (1965) and Adios Gringo (1965). Lynne is a pillar of the community, who turns out to be a cheap crook. Corbucci carefully conceals the doctor’s identity for the first part of the film, and when we first meet him, on the station platform at Esperanza, he is staring at a ‘Wanted’ poster for Duncan, his partner in crime. No one in town knows of the doctor’s criminal past, his time spent in jail, his charade of a marriage to banker Blackwood’s daughter and his plan to return to Europe after the robbery.
independent.academia.edu
to make an impact abroad in Italian genre films. She appeared in The Hills Run Red, though she is best remembered internationally as Dominique, one of the trio of French racing drivers in Monte Carlo or Bust (1969). The travelling dancehall troupe were played by Franca Polesello (Barbara), Tanya Lopert (Maria) and Lucia Modugno (Geraldine). Modugno went on to appear in My Name is Pecos (1966);
to make an impact abroad in Italian genre films. She appeared in The Hills Run Red, though she is best remembered internationally as Dominique, one of the trio of French racing drivers in Monte Carlo or Bust (1969). The travelling dancehall troupe were played by Franca Polesello (Barbara), Tanya Lopert (Maria) and Lucia Modugno (Geraldine). Modugno went on to appear in My Name is Pecos (1966);
independent.academia.edu
Orgasmo - Fotosky - Lou Castel, Carroll Baker, Colette Descombes
Orgasmo - Fotosky - Lou Castel, Carroll Baker, Colette Descombes
csfd.cz
‘When a man with a .45 meets a man with a rifle’: the stranger (Clint Eastwood) faces Ramon in the finale to 4 Fistful of Dollars (1964). — eee ee ee ee eS eee eee ee, lUrhr Ol eee LV eee oe eee Sands, Jolly were hoping for a greater return on their next western ventures. Jolly and Constantin made another western concurrently with Fistful, called Pistols Don’t Argue (also known as Bullets Don’t Argue) starring 54-year-old Rod Cameron. Cameron starred as Pat Garrett, the Sheriff of Rivertown, who has his wedding day interrupted when Billy and George Clanton rob the local bank. Garrett tracks them to Mexico and most of the film is devoted to the trio’s trek back across the desert (Devils Valley) and their battle with a Mexican bandit gang. Pisto/s was very old- fashioned (the US cavalry ride to Garrett’s rescue at the climax), and with hindsight it seems incredible to think that the producers had a higher regard for this film than Fistful. The only interesting aspects of Pistols were the locations (including the town set, which Leone reused) and Morricone’s score. Without Leone’s visuals to inspire him, the music is average, but does hint at a talent to compose a catchy tune. Pistols has a traditional title song (‘Lonesome Billy’, sung by Peter Tevis), but it introduces the villainous Billy, rather than the hero. Packed with clichés and awful rhymes, the lyrics read: ‘A rough man who plays with danger, to whom trouble was no stranger’. No wonder Leone wanted a lyric-free title theme.
‘When a man with a .45 meets a man with a rifle’: the stranger (Clint Eastwood) faces Ramon in the finale to 4 Fistful of Dollars (1964). — eee ee ee ee eS eee eee ee, lUrhr Ol eee LV eee oe eee Sands, Jolly were hoping for a greater return on their next western ventures. Jolly and Constantin made another western concurrently with Fistful, called Pistols Don’t Argue (also known as Bullets Don’t Argue) starring 54-year-old Rod Cameron. Cameron starred as Pat Garrett, the Sheriff of Rivertown, who has his wedding day interrupted when Billy and George Clanton rob the local bank. Garrett tracks them to Mexico and most of the film is devoted to the trio’s trek back across the desert (Devils Valley) and their battle with a Mexican bandit gang. Pisto/s was very old- fashioned (the US cavalry ride to Garrett’s rescue at the climax), and with hindsight it seems incredible to think that the producers had a higher regard for this film than Fistful. The only interesting aspects of Pistols were the locations (including the town set, which Leone reused) and Morricone’s score. Without Leone’s visuals to inspire him, the music is average, but does hint at a talent to compose a catchy tune. Pistols has a traditional title song (‘Lonesome Billy’, sung by Peter Tevis), but it introduces the villainous Billy, rather than the hero. Packed with clichés and awful rhymes, the lyrics read: ‘A rough man who plays with danger, to whom trouble was no stranger’. No wonder Leone wanted a lyric-free title theme.
independent.academia.edu
Blondy (Clint Eastwood) finds his head in a noose in Santa Fe; Sergio Leone’s The Good, the Bad and the Ugly (1966). prequel to the earlier films, as he metamorphoses into the bitter, ruthless stranger. In Eastwood’s opening scene, he plays the good samaritan, saving Tuco from three bounty-hunters. Eastwood smiles, quips and has less of the nihilistic killing- machine brutality of earlier incarnations (though he has the same snake grips on his pistol). The con trick Blondy and Tuco concoct, with Blondy turning Tuco over to the authorities, is well handled. As Tuco is about to serve the spaghetti-western
Blondy (Clint Eastwood) finds his head in a noose in Santa Fe; Sergio Leone’s The Good, the Bad and the Ugly (1966). prequel to the earlier films, as he metamorphoses into the bitter, ruthless stranger. In Eastwood’s opening scene, he plays the good samaritan, saving Tuco from three bounty-hunters. Eastwood smiles, quips and has less of the nihilistic killing- machine brutality of earlier incarnations (though he has the same snake grips on his pistol). The con trick Blondy and Tuco concoct, with Blondy turning Tuco over to the authorities, is well handled. As Tuco is about to serve the spaghetti-western
independent.academia.edu
2009 Edition - Lucca Film Festival
2009 Edition - Lucca Film Festival
luccafilmfestival.it
Zrození lásky - Z filmu - Margi Clarke, Lou Castel
Zrození lásky - Z filmu - Margi Clarke, Lou Castel
csfd.cz
Imperialism in action: Franco Nero as Captain Sergei Kowalski (the Polak) in Sergio Corbucci’s Mexican revolution film 4 Professional Gun (1968). Robert Mitchum sleepwalked though his role as a biplane-flying gringo in Villa Rides, while Yul Brynner looked unusually hairy as Pancho Villa; in one scene he takes a ride in Mitchum’s biplane and doesn’t lose his wig. Bald Telly Savalas played Villa in Pancho Villa (1972), but bypassed the hair problem by having his head shaved in prison in the film’s opening sequence; Savalas also crooned the title song, ‘We'll all end up the same’ (lyrics by Don Black). The film /00 Rifles (1968) was only noteworthy for good performances by Burt Reynolds, Raquel Welch, Jim Brown and Aldo Sambrell. In The Five Man Army (1969) Peter Graves embarked on a mission impossible to rob a steel-plated ‘bank on wheels’ (a train), while Leone’s Duck You Sucker (1971 —also called A Fistful of Dynamite) was the most disappointing of all. Rod Steiger’s overbearing performance as Juan, a peasant bandit (who pre- dictably becomes a revolutionary) ruins the film. Only Morricone’s exceptional score (including the mythical nine-minute ‘Inventions for John’) and James Coburn’s appearance as John H. Mallory, a motorcycle-riding IRA dynamiter, make the outing worthwhile. Apart from 4 Professional Gun, only three revolution-set westerns of the era emerged with any dignity: A Bullet for the General, the US western The Professionals (1966 — starring Burt Lancaster, Lee Marvin, Claudia Cardinale and Jack Palance) and Sam Peckinpah’s The Wild Bunch (1969). The Wild Bunch featured the best machine-gun shootout of the revolution genre, with its fiery ‘Battle of Bloody Porch’ climax, when the Bunch take on General Mapache’s army in Agua Verde. More blank ammunition (90,000 rounds) was fired during the
Imperialism in action: Franco Nero as Captain Sergei Kowalski (the Polak) in Sergio Corbucci’s Mexican revolution film 4 Professional Gun (1968). Robert Mitchum sleepwalked though his role as a biplane-flying gringo in Villa Rides, while Yul Brynner looked unusually hairy as Pancho Villa; in one scene he takes a ride in Mitchum’s biplane and doesn’t lose his wig. Bald Telly Savalas played Villa in Pancho Villa (1972), but bypassed the hair problem by having his head shaved in prison in the film’s opening sequence; Savalas also crooned the title song, ‘We'll all end up the same’ (lyrics by Don Black). The film /00 Rifles (1968) was only noteworthy for good performances by Burt Reynolds, Raquel Welch, Jim Brown and Aldo Sambrell. In The Five Man Army (1969) Peter Graves embarked on a mission impossible to rob a steel-plated ‘bank on wheels’ (a train), while Leone’s Duck You Sucker (1971 —also called A Fistful of Dynamite) was the most disappointing of all. Rod Steiger’s overbearing performance as Juan, a peasant bandit (who pre- dictably becomes a revolutionary) ruins the film. Only Morricone’s exceptional score (including the mythical nine-minute ‘Inventions for John’) and James Coburn’s appearance as John H. Mallory, a motorcycle-riding IRA dynamiter, make the outing worthwhile. Apart from 4 Professional Gun, only three revolution-set westerns of the era emerged with any dignity: A Bullet for the General, the US western The Professionals (1966 — starring Burt Lancaster, Lee Marvin, Claudia Cardinale and Jack Palance) and Sam Peckinpah’s The Wild Bunch (1969). The Wild Bunch featured the best machine-gun shootout of the revolution genre, with its fiery ‘Battle of Bloody Porch’ climax, when the Bunch take on General Mapache’s army in Agua Verde. More blank ammunition (90,000 rounds) was fired during the
independent.academia.edu
erim kutsal - Independent Researcher
erim kutsal - Independent Researcher
independent.academia.edu
After the Verdict: Cuchillo retrieves his knife from Shep’s forehead, while Corbett covers his back; left to right: Lee Van Cleef, Tomas Milian and Angel Del Pozo in The Big Gundown (1967). screen Lor SCCONAS, aS a COFpSe Over a Sadaie in Willow UIreeKk. The UK and US release of The Big Gundown in 1968 was a slapdash affair. The railer features footage not in the English-language release, accompanied by an yminous voiceover: ‘Death has many faces...he strikes without pity’. The title sequence features shots of riders — not Brokston’s men, but Fernando Sancho’s zang (the Sidewinders) from the unrelated Arizona Colt (1966). US posters declared Mr Ugly Comes To Town!’ (in unflattering reference to Van Cleef) and ‘Big Action ind Big Excitement... The Big Gundown’. The cutting seems to have mattered little
After the Verdict: Cuchillo retrieves his knife from Shep’s forehead, while Corbett covers his back; left to right: Lee Van Cleef, Tomas Milian and Angel Del Pozo in The Big Gundown (1967). screen Lor SCCONAS, aS a COFpSe Over a Sadaie in Willow UIreeKk. The UK and US release of The Big Gundown in 1968 was a slapdash affair. The railer features footage not in the English-language release, accompanied by an yminous voiceover: ‘Death has many faces...he strikes without pity’. The title sequence features shots of riders — not Brokston’s men, but Fernando Sancho’s zang (the Sidewinders) from the unrelated Arizona Colt (1966). US posters declared Mr Ugly Comes To Town!’ (in unflattering reference to Van Cleef) and ‘Big Action ind Big Excitement... The Big Gundown’. The cutting seems to have mattered little
independent.academia.edu
Zrození lásky - Z filmu - Aurélia Alcaïs, Lou Castel
Zrození lásky - Z filmu - Aurélia Alcaïs, Lou Castel
csfd.cz
Camping Lou Castel | 4* | Dordogne| VacanceSelect.com
Camping Lou Castel | 4* | Dordogne| VacanceSelect.com
vacanceselect.com
KVIFF | Fotogalerie
KVIFF | Fotogalerie
kviff.com
erim kutsal - Independent Researcher
erim kutsal - Independent Researcher
independent.academia.edu
KVIFF | Fotogalerie
KVIFF | Fotogalerie
kviff.com
Přejezd Cassandra - Z filmu - Lou Castel, Stefano Patrizi
Přejezd Cassandra - Z filmu - Lou Castel, Stefano Patrizi
csfd.cz
Camping Lou Castel | 4* | Dordogne| VacanceSelect.com
Camping Lou Castel | 4* | Dordogne| VacanceSelect.com
vacanceselect.com
Camping Lou Castel | 4* | Dordogne| VacanceSelect.com
Camping Lou Castel | 4* | Dordogne| VacanceSelect.com
vacanceselect.com
Camping Lou Castel | 4* | Dordogne| VacanceSelect.com
Camping Lou Castel | 4* | Dordogne| VacanceSelect.com
vacanceselect.com
Ombre [Shadow] (1980)
Ombre [Shadow] (1980)
kinobox.cz
Camping Lou Castel | 4* | Dordogne| VacanceSelect.com
Camping Lou Castel | 4* | Dordogne| VacanceSelect.com
vacanceselect.com
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