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José Rojas, Fracking, 2014, Vilma Gold, London, installation view





Vilma Gold is pleased to present José Rojas’ first solo exhibition in the gallery.  José Rojas (1978, Mexico City) lives and works in Mexico City.


 

From left,

drawing depicting the princes of nár-way using as backdrop the jaguar sacrificial vessel carved in stone

an offering of the unborn stone child (lithopedion) to the skeletal swine claw

the now king of the netherlands and maxima atop the Sun pyramid with a view to the Moon one

frederik and mary of denmark posing with Jaguar, God of Earth, as backdrop

the other skeletal swine claw in the show, with trampled pearls and fuel pipe, seemingly empty handed

the Sun Stone, creation and destruction, human sacrifice to the Sun movement with the now king of belgians

Collosal Head 9 what most impressed felipe and letizia of spain for it was smiling

Facing wall,

two birth demo pelves in axis, bearing the coming geomyth

Fracking (hydraulic fracturing) rock fracturing with pressurized liquid creating cracks in deep-rock formations through which shale gas, oil, tight gas and brine will flow more freely... major part of the Golden Age of Gas

 

José Rojas (Mexico City, 1978) Lives and works in Mexico City. Holds a BA in Architecture and postgraduate master degree in Design. Has participated in the Architecture Biennial in Rotterdam and in the European Ceramic Work Centre. Solo shows include Gaga, Mexico City (2012, 2009); Karma International, Zurich (2013). Group shows include In the Bedroom, M/L Artspace, NY; übersetzungsbüro, Galerie Buchholz, Berlin; Some Redemptions, curated by Josef Strau, Soloway, Brooklyn. Active participant of Montezuma. Runs along with Fernando Mesta the gallery House of Gaga in Mexico City.. ‘FRACKING’
, José Rojas
José Rojas, Fracking, 2014, Vilma Gold, London, installation view Vilma Gold is pleased to present José Rojas’ first solo exhibition in the gallery. José Rojas (1978, Mexico City) lives and works in Mexico City. From left, drawing depicting the princes of nár-way using as backdrop the jaguar sacrificial vessel carved in stone an offering of the unborn stone child (lithopedion) to the skeletal swine claw the now king of the netherlands and maxima atop the Sun pyramid with a view to the Moon one frederik and mary of denmark posing with Jaguar, God of Earth, as backdrop the other skeletal swine claw in the show, with trampled pearls and fuel pipe, seemingly empty handed the Sun Stone, creation and destruction, human sacrifice to the Sun movement with the now king of belgians Collosal Head 9 what most impressed felipe and letizia of spain for it was smiling Facing wall, two birth demo pelves in axis, bearing the coming geomyth Fracking (hydraulic fracturing) rock fracturing with pressurized liquid creating cracks in deep-rock formations through which shale gas, oil, tight gas and brine will flow more freely... major part of the Golden Age of Gas José Rojas (Mexico City, 1978) Lives and works in Mexico City. Holds a BA in Architecture and postgraduate master degree in Design. Has participated in the Architecture Biennial in Rotterdam and in the European Ceramic Work Centre. Solo shows include Gaga, Mexico City (2012, 2009); Karma International, Zurich (2013). Group shows include In the Bedroom, M/L Artspace, NY; übersetzungsbüro, Galerie Buchholz, Berlin; Some Redemptions, curated by Josef Strau, Soloway, Brooklyn. Active participant of Montezuma. Runs along with Fernando Mesta the gallery House of Gaga in Mexico City.. ‘FRACKING’ , José Rojas
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